Sister Switchblade
An ex-nun walks out of the convent, into a Detroit chop shop, and cuts a path back to the chapter president who left her for dead. Shot on Super 16, scored with fuzz guitar.

Blade Runner
A burnt-out cop is dragged back to hunt four replicants on the rain-slick streets of 2019 Los Angeles — and discovers what it costs to decide who counts as human.
Planet Sci-Fi is currently in beta. The films, posters, and trailers shown are representative of the catalog we’re building and may change before launch.
Tonight's reel from the booth — what we'd queue up first if you only stayed for one feature.
A new blade runner uncovers a secret that could break what's left of society. Roger Deakins' camera turns Los Angeles into a smog-choked oil painting and Hans Zimmer's score rattles the room. The picture that proved cerebral sci-fi can still fill an IMAX — and the one we'd thread up first if you only stayed for one feature.
Festival and awards names are independent third-party properties. Planet Sci-Fi is not affiliated with or endorsed by any of those listed.
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"Every studio told me a 16mm nun-with-a-switchblade revenge picture was unreleasable. Planet Sci-Fi was the only place that said, 'shoot it dirtier, cut it meaner, and leave the blood in.'"
Original Planet Sci-Fi productions and restorations in development and post. Backers get first look, on-screen credits, and revenue share from every showing.
An ex-nun walks out of the convent, into a Detroit chop shop, and cuts a path back to the chapter president who left her for dead. Shot on Super 16, scored with fuzz guitar.
1977. A diner waitress on a desert highway is the only one who walked out of the motel. A neon-soaked revenge picture shot on 35mm Ektachrome.
A Shaolin orphan in 1978 San Francisco takes a job as a meat-packer to get close to the Tong boss who killed his master. A dubbed, blood-splattered love letter to Shaw Brothers.
Practical effects unit shot the canyon attack tonight — a 14-foot puppet rig, four operators, no CGI. Dust, hydraulic oil, and one very startled wrangler. The dailies look like 1957 in the best possible way.
Final cut delivered to scoring. We've handed it to a four-piece theremin-and-Hammond ensemble for the score — the whole second act is going to sound like 1957 staring up at the night sky.
Sound team rebuilt the original optical track from a single surviving studio reel. Bacharach's theme has never sounded this clean coming out of a speaker pole.
Locked the 102-minute cut for the Saturn Awards screener. Submitting next month to Fantastic Fest, Sitges, and a midnight slot at the Sci-Fi Academy Awards.
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